Actor Nathan Fillion explains why Batman needs a therapist in a recent interview with Slash Film about his character, TDK, in The Suicide Squad.
While discussing The suicide squad and his character, The Detachable Kid (TDK), actor Nathan Fillion refers to Batman’s origin story and why he needs to be in therapy. Warner Bros.’s upcoming adventure superhero film is directed by James Gunn and is a separate cover of the 2016 Suicide Squad film that received many reviews. Gunn, who enjoys experimenting with weird characters, produces a different new take on the Villains Team.
In July 2021, footage from Fillion’s The Detachable Kid introduced the character to the DC Universe. According to his name, TDK can physically detach his arms from his body and use them as weapons, although the footage shows that he is not quite mastered how to use his abilities in combat. Gunn is revised The suicide squad also sees Margot Robbie reprise her roles as Harley Quinn, Idris Elba from Robert DuBois / Bloodsport, John Cena from Christopher Smith / Peacemaker, Sylvester Stallone from Nanaue / King Shark, Peter Capaldi from Dr. Gaius Grieves / The Thinker, and more.
In an interview with SlashFilm, while discussing how he got the role, the characterization of TDK, and the experience of working on a set of Gunn, Fillion used the portrayal of DC’s superhero, Batman, to explain the purpose. of TDK in the movie. At the end of the interview, Fillion discussed the trauma behind Bruce Wayne’s origin story to become Batman. He states that many people misinterpret and distort the origins of heroes by forgetting the trauma they went through to become their alter-egos. Batman, he says, is “crazyas an adult because he was so traumatized as a child watching his parents die. Fillion continues to argue that if it weren’t for theater, an individual like Bruce Wayne would need a therapy, not a Batmobile, to eradicate the negativity in her head that tells her to fight people. Check out her full statement below:
âWhen you look at the origins of heroes, something like Batman, and you’re like, ‘Oh, that’s great, his parents were killed, so now he’s dedicated his life to solving a crime. No, this kid is traumatized, and this man is completely insane. He dresses like a bat and he beats people’s shit, it’s trauma. I mean, and if it was real this guy should talk to someone, he needs a therapist, he doesn’t need a Batmobile, he needs to get some thoughts out of his head , I mean this guy is haunted. Batman isn’t a crime fighter, he’s a traumatized kid who beats people’s shit.
Fillion referred to Batman after the discussion of how TDK was inspired by Arm-Fall-Off-Boy, and the interviewer praised the balance of tragedy and humor that Gunn was able to achieve with his obscurity. Fillion used the tragic Batman story to justify why Gunn needed to present characters who weren’t completely hurt by a horrific childhood, or who injected humor rather than sadness into the film’s narrative. The conceptualization of TDK is so unusual – and, so far, seemingly unnecessary – that it helps balance the tone of the film, as it inspires comedy. His character is meant to be fun, unlike how Batman is portrayed throughout his franchise. Batman, in Fillion’s opinion, is the epitome of a person who has absorbed his anger and trauma and directs them at others, masked in heroism.
Fillion’s discussion shows how the character of Batman was transformed into an idea of ââheroism, with people forgetting that he is in fact a very traumatized child who, as he grew into an adult, developed the ability to physically release his emotion in such a way. violent. This therefore introduces the idea that heroes are not always entirely right, or entirely heroic; they shouldn’t always be praised for their behavior. Batman has killed people in the movie franchise, unlike his comedic version, and has gotten noticeably darker as he makes more appearances in the DC Universe. This would send a positive message to young audiences that they should ask for help, because Fillion expressed, rather than turning to violence, in response to the experience of trauma.
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Source: Slash movie
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